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Turning On Dylan Strokes
In a scorching bondage session, Michael ties up his pup boys by covering their faces in lampshades, giving off the illusion of anonymity, discretion and a claustrophobic space. . Being contained inside ones own mind comes with the comfort of being in ones own space or "headspace."
The metaphoric turning on of the human lamp, whom holds a light gag in his mouth while blindfolded, serves the purpose of visually representing the sexual energy. The bound victim feels less intimidated and every little brush of skin heats up his senses in a bright, colorful way. Beautiful patterns project from the sex lamp casting onto my body as if to give back the sexual energy it is receiving from its user.
My good friend Alaska Thunderfuck, who you may have seen on Rupaul's Drag Race, plays the voyeur who watches from the cupboard. This film expresses a bit of macrophilia, a giantism fetish, with Alaska being larger than us. Her gaze is the dominating power that drives the scene to proceed to climax.
Dylan Strokes shoots a massive load after being fucked and milked with only one hour to get off. Bieeee.
The metaphoric turning on of the human lamp, whom holds a light gag in his mouth while blindfolded, serves the purpose of visually representing the sexual energy. The bound victim feels less intimidated and every little brush of skin heats up his senses in a bright, colorful way. Beautiful patterns project from the sex lamp casting onto my body as if to give back the sexual energy it is receiving from its user.
My good friend Alaska Thunderfuck, who you may have seen on Rupaul's Drag Race, plays the voyeur who watches from the cupboard. This film expresses a bit of macrophilia, a giantism fetish, with Alaska being larger than us. Her gaze is the dominating power that drives the scene to proceed to climax.
Dylan Strokes shoots a massive load after being fucked and milked with only one hour to get off. Bieeee.
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