Spanish Harlem Knights #2

Impish, self-absorbed Julio Nieves, the central character of this
1991 Latino Fan Club release, is the perfect poster boy for all
the restless Puerto Rican homeboys across New York City who
discover - sometimes too late - that while their bodies are
marketable, their souls are not.




The movie opens with Julio petting and sucking the average cock
of a cute, light-skinned buddy. When the stud heads to shower,
Julio immediately gets on the phone to make arrangements for more
sex. He soon joins dark and lovely T.J. Colon, furry Tato, and
masculine and lean Flaco Cabezon for a suckfest where everybody
except Flaco takes turns on each other's schlong. To a man, these
dudes are long, knob-headed, and uncut. Flaco gets to plow Tato's
hairy, pungent behind with slow, deep, pain-inducing thrusts that
cause his bullet butt-banger to squirt all over that ass. Tato is
left to jerk off alone.




Later, Julio becomes enmeshed in the street and culture - he's
even shown smoking rock in the basement of a neighborhood crack
house. Julio peddles his body to find shelter where he can, and
is next seen showering at drop-dead gorgeous Jason Robles's pad.
Jason joins Julio in the shower. The couple display genuine
affection for each other and their sensual, mutual lather play is
a delight to behold. Unfortunately, once these two beauties get
into bed, the spell is pretty much broken. At one point you can
even hear director Brian Brennan yells, "Move around like you
guys are alive!" Jason finally wiggles his plump ass as Julio
tries gamely to plug him, but it's clear that Julio is unused to
fucking a man's hole, and shoots quickly after barely entering
Jason's fuzzy, aromatic pleasure portal. Julio's quickfire,
coupled with Brennan's inability to maintain camera focus, makes
this potentially hot scene a bust.




Julio next hooks up with Latino Fan Club regular Tony Fontana
playing a voyeuristic, stand-offish, white-haired old queen who
shelters, supports, and cleans up after the self-absorbed little
street punk. Tony discovers through a newspaper clipping in
Julio's wallet that the kid's mom was slain in front of his eyes.
This plot device causes Fontana to excuse all of Julio's
pathological behavior, even an instance where Julio leaves the
old queen waiting in Times Square on his birthday. Meanwhile,
Julio, T.J. and slight, bearded cutie Tony Reyes enjoy a full-on
three-way in a bedroom. Julio apparently has sharpened his
technique, and bangs T.J. with poise and confidence. Julio and
Tony finish by gushing buckets.




LFC stallion Rico Suave, here playing an older brother figure to
Julio, tracks the wayward slut in the hopes of rescuing Julio
from his sordid life. While searching the crack basement, Rico
gets an excellent suck-job from handsome, dark, lean Jorge
Fuentes in exchange for information and crack. Jorge lovingly
tongue-bathes Rico's long, thin, dark dick, and whacks his own
formidable baton, cumming a heavy load. Rico face-fucks Jorge's
open mouth and throat and splashes his thick wad in the
cocksucker's face, which he wipes off with a discarded newspaper.




Heading upstairs, Rico finds Julio, wrestles a crack pipe from
the kid, and drags him home for a little tough love
confrontation. Rico demonstrates here why he is a true star: in
an improv dialog, Rico sprinkles some street savvy into his
scolding, revealing his own past and offering unwavering support
and a feeling of obligation towards Julio. Overall, Rico's
performance is compelling and convincing.




Rico gets Julio a job as a room service telephone technician at
the Langley Hotel, going so far as to walk the lad down to the
hotel himself. But naturally, every encounter is an opportunity
for the chunky Julio to fuck someone new. When he goes into one
of the rooms to repair a phone, who does he find but greedy Tato,
who's l