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Cruisin' the Castro
This late-'70s pre-condom classic focuses on the antics of gay men along San Francisco's famed Castro strip. The men are delightfully hairy, as was the fashion of the time, and the sex is raucous and juicy.
In a mock-umentary lead-in, the narrator intones "today, 130 years later (than the Gold Rush, apparently),
another group of men is invading San Francisco... They come not for gold, but to fulfill their special need -
they are cruisin' the Castro."
On a sunny rooftop, two shirtless, tussled brunets mash for a while before descending into a dark attic.
Clad in leather pants, one guy gnaws on the other's tight, faded blue jeans. In very tight, condomless
close-ups, the leather guy fucks him, cums a little bit and then goes back to pounding butt.
Up next, two urban cowboys - one boy-next-door brunet, the other a shaggy, weathered blond with a
handlebar 'stache and oversize pimp shades - get it on in a makeshift farmhouse (in the middle of San
Francisco - go figure). The pair lick each other's bodies up and down and shift into a perfect 69 session -
all set to a twangy country soundtrack.
Elsewhere, a mustached brunet walks into a room, licking his lips as he spies on the wall pictures of
Peter Berlin from Nights in Black Leather and Tom of Finland drawings. Sticking his hands in his jeans, he
pulls out his very hard, very large dick and beats off while being voyeured. Trying to get his dick into his
own mouth, he manages to lick the tip and eventually cums all over his face and struggles to swallow every
drop.
The highlight of the film is a threeway featuring legendary topman Richard Locke. Locke, with his
salt-and-pepper beard and shaggy torso, is one of the more mature stars of '70s porn. He is matched with a
brunet mustache clone and a massively muscled bodybuilder. After some oral and light rimming, Muscles eases
into Mustache's hole and gives him a few minutes of long-dicking. Next Locke moves into the pole position and
pounds the mustached dude's pucker doggy style. In a demonstration of why he is a star, Locke pulls out,
squeezes out a few thick jizz tears, then flips the bottom over and plunges right back in.
In a mock-umentary lead-in, the narrator intones "today, 130 years later (than the Gold Rush, apparently),
another group of men is invading San Francisco... They come not for gold, but to fulfill their special need -
they are cruisin' the Castro."
On a sunny rooftop, two shirtless, tussled brunets mash for a while before descending into a dark attic.
Clad in leather pants, one guy gnaws on the other's tight, faded blue jeans. In very tight, condomless
close-ups, the leather guy fucks him, cums a little bit and then goes back to pounding butt.
Up next, two urban cowboys - one boy-next-door brunet, the other a shaggy, weathered blond with a
handlebar 'stache and oversize pimp shades - get it on in a makeshift farmhouse (in the middle of San
Francisco - go figure). The pair lick each other's bodies up and down and shift into a perfect 69 session -
all set to a twangy country soundtrack.
Elsewhere, a mustached brunet walks into a room, licking his lips as he spies on the wall pictures of
Peter Berlin from Nights in Black Leather and Tom of Finland drawings. Sticking his hands in his jeans, he
pulls out his very hard, very large dick and beats off while being voyeured. Trying to get his dick into his
own mouth, he manages to lick the tip and eventually cums all over his face and struggles to swallow every
drop.
The highlight of the film is a threeway featuring legendary topman Richard Locke. Locke, with his
salt-and-pepper beard and shaggy torso, is one of the more mature stars of '70s porn. He is matched with a
brunet mustache clone and a massively muscled bodybuilder. After some oral and light rimming, Muscles eases
into Mustache's hole and gives him a few minutes of long-dicking. Next Locke moves into the pole position and
pounds the mustached dude's pucker doggy style. In a demonstration of why he is a star, Locke pulls out,
squeezes out a few thick jizz tears, then flips the bottom over and plunges right back in.
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