Men of the Midway

Here is a woolly story of wayward youth in the gaudy world of carnie folks. Chris Burns runs away from home after Paul Baressi tries to sell him for sex. After the initial word from Paul about selling his ass, Chris refuses, gets his tattered underwear ripped off of him and his ass spanked. He is then "compelled" to take a large dildo up his hole. He later teaches him how to give blowjobs, and Chris laps his "daddy's" dick.

Chris is later tied to his bed and offered as a sex toy for an older man with a saggy ass; his hole is plugged hard. Chris runs away and joins a carnival, where Tim Kramer similarly takes advantage of him, selling his body to black men who desire to fuck blond white boys. The two black men turn their attentions on Chris, with one having Chris suck him off and the other roughly finger-fucking his hole, then plowing his asshole. Jack Strider, the owner of the carnival, discovers Chris, his pants around his ankles, and offers him a job in the carnival and his trailer to share, no strings attached.


Meanwhile, two younger men sneak into the carnival for sex. Later, Chris and Jack are shown fucking in the trailer, Jack fucking Chris's hole while Chris is playing with his nipples with his feet. The scene soon shifts to humpy Tim Kramer and Beau Matthews in the dart game stall. The action then cuts between the two duos, Tim filling Beau's butt with cock and them later sucking each other's balls. In the end Chris is rescued by the love of the carnival owner and together they turn the tables on Tim. They trick him and he, then, becomes the victim, compelled to his knees to orally service a group of five or six men in a circle.


The high-powered cast also features Beau Matthews and Donkey Dan, and Toby, Jeff Powers, Shelly Williams, Bruce McDonald, and Duane MacMuchula. The lavish production sports realistically detailed interior settings and on-location carnival shots. Although the sexual action is fairly routine after the dildo segment, the movie is good for its mix of carnival flare, musical scores, and scenes of silence. A Marathon Films release directed by Roger Earl. No Condoms.